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Great Resources:
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The Techniques of Kissing
Now
is your chance! The moment you feel the tip of your nose
touch her scalp, purse your lips and kiss her, the while
you inhale a deep breath of air that is redolent with
the exquisite odor of her hair. It is then but a few
inches to her ear. Touch the rim of her ear with your
lips in a sort of brushing motion. Breathe gently into
the delicate shell. Some women react passionately to
this subtle act. Brush past her here in this way again
and note her reaction. If she draws her head away,
return to her hair and sniff luxuriously of it. Then
settle back to her ear, the while you murmur "sweet,
airy nothings" into it. From the ear to her neck is but
another few inches... Let your lips traverse this
distance quickly and then dart into the nape and, with
your lips well pursed, nip the skin there, using the
same gentleness as would a cat lifting her precious
kittens.
Then, with a series of little nips, bring your lips
around from the nape of her neck to the curving, swerve
of her jaw, close to the ear. Gently kiss the lobe of
her ear. But be sure to return to the tender softness of
her jaw. From then on, the way should be clear to you.
Nuzzle your lips along the soft, downy expanse until you
reach the comer of her lips. You will know when this
happens because, suddenly, you will feel a strange
stiffening of 'her shoulders under your arm. The reason
for this is that the lips constitute one of the main
erogenous zones of the body. The nerve ends in it are so
sensitive that the slightest contact with them sends a
pleasurable thrill immediately through the nervous
system, through the medulla portion of the brain, back
through the nervous system again, through branches which
connect up with motor nerves, in this case the nerves
that control the sphincter muscles of the mouth and
lips, and the sexual glands which were mentioned before.
In
plain English, the kissee knows she is to be kissed.
Alright. You have subtly kissed the corner of her mouth.
Don't hesitate. Push on further to more pleasurable
spots. Ahead of you lies that which had been promised in
your dreams, the tender, luscious lips of the girl you
love. But don't sit idly by and watch them quivering.
Act!
Lift
your lips away slightly, center them so that when you
make contact there will be a perfect union. Notice, only
momentarily, the picture of her teeth in her lips. And,
then, like a sea-gull "swooping gracefully down through
the air," bring your lips down firmly onto the lips of
the girl who is quivering in; your arms.
Kiss
her!
Kiss
her as though, at that moment, nothing else exists in
the world. Kiss her as though your entire life is
wrapped up into the period of the kiss. Kiss her as
though there is nothing else that you would rather be
doing. Kiss her!
At
this point, it is necessary for us to discuss a few
subjects which are germane to the art of kissing,
particularly in so far as they apply to what has just
been described. For instance, there has been raised
quite a full in regard to whether one should close one's
eyes while kissing or while being kissed. Personally, I
disagree with those who advise closed eyes. To me, there
is an additional thrill in seeing, before my eyes, the
drama of bliss and pleasure as it is played on the face
of my beloved. I can see tiny wrinkles form at the
comers of her eyes, wrinkles of joy. I can see fleeting
spasms of happiness flit across her eyes. I can see
these things and, in seeing them, my pleasurable
reactions to the kiss are considerably heightened. In
keeping my eyes open, I am giving pleasure not to one
sense alone, the sense of touch, but to two senses, the
senses of touch and of sight. These two, coupled with
the sense of smell which is actuated by the perfume of
her breath, all combine to make the kiss an exquisite,
ineffable epitome of unalloyed bliss. |
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